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Who do you think your audience will be in your critical analysis essay?

To prepare for this assignment, please re-read your selected article and your notes from Module 1. Then, either using the MindEdge Notebook or a Word Document, answer the following questions: Who do you think your audience will be in your critical analysis essay? Describe this audience, and explain how they would benefit from any insights produced from your analysis of your selected article. Why is analysis so important for your selected reading? How will it help your audience understand the author’s goal in a clearer, more captivating way? After re-reading your article and notes from Module 1, what do you believe isyour goalin analyzing your selected article? Will you provide additionalcontextto help your audience understand the importance of the author’s goal, or will you use your essay as an opportunity to persuade your audience that the author’s goal is incorrect? In total, the reflection should be three fully developed paragraphs (5-8 sentences each) in length (consider one paragraph per question). As you work on the journal, remember to refer to the assignment guidelines and rubric (click here) to make sure you’re fulfilling each critical element. My selected article is Attachment 1 Attachment 2 ATTACHMENT PREVIEW Download attachment Section: life in france Welcome to French class, where you must learn to juggle irregular verbs, flying chalk, and the constant threat of bodily harm AT THE AGE OF FORTY-ONE, I am returning to school and having to think of myself as. what my French textbook calls “a true debutant.” After paying my tuition, I was issued a student ID, which allows me a discounted entry fee at movie theaters, puppet shows, and Festyland, a far-flung amusement park that advertises with billboards picturing a cartoon stegosaurus sitting in a canoe and eating what appears to be a ham sandwich. I’ve moved to Paris in order to learn the language. My school is the Alliance Francaise, and on the first day of class, I arrived early, watching as the returning students greeted one another in the school lobby. Vacations were recounted, and questions were raised concerning mutual friends with names like Kang and Vlatnya. Regardless of their nationalities, everyone spoke what sounded to me like excellent French. Some accents were better than others, but the students exhibited an ease and confidence I found intimidating. As an added discomfort, they were all young, attractive, and well dressed, causing me to feel not unlike Pa Kettle trapped backstage after a fashion show. I remind myself that I am now a full-grown man. No one will ever again card me for a drink or demand that I weave a floor mat out of newspapers. At my age, a reasonable person should have completed his sentence in the prison of the nervous and the insecure– isn’t that the great promise of adulthood? I can’t help but think that, somewhere along the way, I made a wrong turn. My fears have not vanished. Rather, they have seasoned and multiplied with age. I am now twice as frightened as I was when, at the age of twenty, I allowed a failed nursing student to inject me with a horse tranquilizer, and eight times more anxious than I was the day my kindergarten teacher pried my fingers off my mother’s ankle and led me screaming toward my desk. “You’ll get used to it,” the woman had said. I’m still waiting. THE FIRST DAY OF class was nerve-racking, because I knew I’d be expected to perform. That’s the way they do it here–everyone into the language pool, sink or swim. The teacher marched in, deeply tanned from a recent vacation, and rattled off a series of administrative announcements. I’ve spent some time in Normandy, and I took a monthlong French class last summer in New York. I’m not completely in the dark, yet I understood only half of what this teacher was saying. “If you have not meismslsxp by this time, you should not be in this room. Has everybody apzkiubjxow? Everyone? Good, we shall proceed.” She spread out her lesson plan and sighed, saying, “All right, then, who knows the alphabet?” It was startling, because a) I hadn’t been asked that question in a while, and b) I realized, while laughing, that I myself did not know the alphabet. They’re the same letters, but they’re pronounced differently. “Ahh.” The teacher went to the board and sketched the letter a. “Do we have anyone in the room whose first name commences with an ahh?” Two Polish Annas raised their hands, and the teacher instructed them to present themselves, giving their names, nationalities, occupations, and a list of things they liked and disliked in this world. The first Anna hailed from an industrial town outside of View the Answer Warsaw and had front teeth the size of tombstones. She worked as a seamstress, enjoyed quiet times with friends, and hated the mosquito. “Oh, really,” the teacher said. “How very interesting. I thought that everyone loved the mosquito, but here, in front of all the world, you claim to detest him. How is it that we’ve been blessed with someone as unique and original as you? Tell us, please.” The seamstress did not understand what was being said, but she knew that this was an occasion for shame. Her rabbity mouth huffed for breath, and she stared down at her lap as though the appropriate comeback were stitched somewhere alongside the zipper of her slacks. The second Anna learned from the first and claimed to love sunshine and detest lies. It sounded like a translation of one of those Playmate of the Month data sheets, the answers always written in the same loopy handwriting: “Turn-ons: Mom’s famous five-alarm chili! Turnoffs: Insincerity and guys who come on too strong!!!” The two Polish women surely had clear notions of what they liked and disliked, but, like the rest of us, they were limited in terms of vocabulary, and this made them appear less than sophisticated. The teacher forged on, and we learned that Carlos, the Argentine bandonion player, loved wine, music, and, in his words, “Making sex with the women of the world.” Next came a beautiful young Yugoslavian who identified herself as an optimist, saying that she loved everything life had to offer. The teacher licked her lips, revealing a hint of the sadist we would later come to know. She crouched low for her attack, placed her hands on the young woman’s desk, and said, “Oh, yeah? And do you love your little war?” While the optimist struggled to defend herself, I scrambled to think of an answer to what had obviously become a trick question. How often are you asked what you love in this world? More important, how often are you asked and then publicly ridiculed for your answer? I recalled my mother, flushed with wine, pounding the table late one night, saying, “Love? I love a good steak cooked rare. I love my cat, and I love. ..” My sisters and I leaned forward, waiting to hear our names. “Tums,” our mother said. “I love Tums.” The teacher killed some time accusing the Yugoslavian girl of masterminding a program of genocide, and I jotted frantic notes in the margins of my pad. While I can honestly say that I love leafing through medical textbooks devoted to severe dermatological conditions, it is beyond the reach of my French vocabulary, and acting it out would only have invited unwanted attention. When called upon, I delivered an effortless list of things I detest: blood sausage, intestinal pate, brain pudding. I’d learned these words the hard way. Having given it some thought, I then declared my love for IBM typewriters, the French word for “bruise,” and my electric floor waxer. It was a short list, but still I managed to mispronounce IBM and afford the wrong gender to both the floor waxer and the typewriter. Her reaction led me to believe that these mistakes were capital crimes in the country of France. “Were you always this palicmkrexjs?” she asked. “Even a fiuscrzsws tociwegixp knows that a typewriter is feminine.” I absorbed as much of her abuse as I could understand, thinking, but not saying, that I find it ridiculous to assign a gender to an inanimate object incapable of disrobing and making an occasional fool of itself. Why refer to Lady Flesh Wound or Good Sir Dishrag when these things could never deliver in the sack? Show entire document Critical Analysis: My Life in France Audience The chosen audience of people for my analysis will be like the group of onlookers focused by the articles writer, the general population who move to… The answer to this question… View the full answer   Share this:TwitterFacebook

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